Anyone whose day is mostly messages.
Six days that look nothing alike, and one key that fits all of them. Each of these names the single thing about Cue that decides it for that particular day, rather than the same feature list with a different job title on top.
Founders and operators
Investor updates, customer replies, hiring threads: a hundred small messages in the gaps between the real work.
The promises you make in passing
You said you would send the deck on Friday, in the middle of a paragraph about something else, and by Tuesday it is gone. Cue catches commitments in the messages you actually send and puts them on a list with a date, and nothing lands there without an undo.
Sales and recruiting
Outreach, follow-ups and scheduling ping-pong: volume work where sounding templated is the thing that kills it.
A voice per person, not per campaign
Volume is what makes outreach read like mail-merge, and mail-merge is what gets deleted. Cue keeps a voice for each person you write to, learned from what you sent them before, so the fortieth message of the day still reads like the first.
Support desks
The same five answers, fifty times, each one needing warmth the fortieth no longer has in it.
The register holding to the end of the queue
Consistency is the hard part of a queue, not speed. Every draft is built from that ticket's own thread and written in the same register as the first one you sent this morning, and you stay the editor on all of them.
Engineers
PR reviews, standup updates, incident threads, prompts: writing that interrupts the building.
Saying the whole prompt instead of typing it
The good prompt is a paragraph of context, and a paragraph is a minute of typing you will not spend, so you send a worse one. Hold the key and say all of it, with a dictionary that spells your repos, your libraries and your stack the way you spell them.
Consultants and agencies
Three clients, three registers, and every hour spent writing to them is an hour nobody is paying for.
A different you for each account
One global writing style is no use when the whole job is sounding right to five different organisations. Cue learns a separate voice per client from the messages you sent that client, and the drafts stay bespoke across all of them.
Second-language writers, and tired hands
You know exactly what to say. Writing it in your second language is the tax, or your wrists just need the keyboard less this week.
Speaking one language and sending another
Pin the language Cue writes in and dictate in your own: say it in Egyptian Arabic, send English that reads like a native wrote it. Leave it on automatic instead and nothing is translated or tidied toward the textbook variety, so the dialect you actually spoke is the one that lands.
Whoever you are, it sounds like you.
A founder writes to an investor differently than to a customer. A consultant writes to each client in that client's register. So Cue does not learn one style and stamp it on everything: it builds a voice per conversation out of the messages you actually sent, and every draft starts where your last edit left off.
- A separate voice profile for every person you write to
- Learned from what you send, not from a settings page
- Week two sounds more like you than day one did
- Every profile stays on your Mac, readable and deletable
- You keep it short and lowercase
- You open with “hey”, not “hi”
- You sign off with “lmk”
Different days, the same four moves.
A support queue and a PR review are different jobs with one interface between them. Nobody on this page had to learn a second thing, and nobody had to open a window to use the first.
- ⌥TapTap right Option to draft or rewrite what is in front of you.
- ⌥Double-tapDouble-tap right Option to open a live conversation and keep talking.
- ⌥HoldHold right Option to dictate straight into the field.
- ⌃HoldHold right Control to pick a voice, then release to switch.
Say "Hey Cue" mid-sentence to hand the ask to the agent. And the voice switcher sits on right Control rather than the trigger, so a held key never means two things at once.
Sounds like your day?
It runs on macOS 14 and later, and the first thing to try it on is whatever you were about to type anyway.